Matteo Miles Interview
Matteo Miles: One of the biggest challenges that took me a while to learn was how much things cost, but also the like, kind of underestimating what actually was required to get a project done. And at the end of it, having that learning experience of being like, “Oh, well, this required so much more than I at first intended to,” with supplies or equipment. And at the end of it, you kind of just didn’t really gain much out of it other than having the job finished. But that was just learning scenario, that’s probably one of the things I share with other people who are trying to go into actual murals, is just make sure you have your, your estimate correct, and your numbers good for your client. Because it’s, you can’t go back and try to change the numbers just because you thought you needed a more expensive paint or needed a scissor lift that you didn’t initially put into your proposal or a number, you’re just gonna have to like eat it.
Matteo Miles: Also be just taking your work seriously so that your client does as well. And that equals your own value. Because you can do the work, you can do what I call portfolio building, which I think is really important, which is doing your mural work. But if you’re first getting started and you’re gaining that experience, you know, you kind of give some slack to your prices, just so, you know, you make it easier, you’re able to portfolio build, and I think that’s important. And later on, as soon as you’re getting more experience, you get more value, then you can kind of up those prices. But don’t feel discouraged that you’re not just doing your work for a penny, you know, on the dollar just, you know, kind of realize that these are stepping stones in every career and every type of creative work too. And they only get better.
Haley Hansen: Are there any specific skills that you would recommend to someone who’s trying to start a career in your field?
Matteo Miles: I think special skills, probably first, drawing and painting, getting good exercise. With large scale, for some reason for me, it feels easier to draw large scale, that idea seems really intimidating for people who are used to drawing within boundaries of you know, a smaller form, so just exercising with that. Also your body is super important, because you’re using your whole body. So exercise your body, stretch, make sure you’re able to have endurance, whether it’s inside or outside on ladders, scaffolding, scissor lifts, weather difficulties, whether it’s outside or inside, accessibility, not being afraid of heights, and not being afraid of strangers, not being afraid to perform in public, because that’s a big deal of it too. I had, it took me a while to kind of build up that, that shell of anxiety, like to reduce anxiety from being in public trying to draw or paint and not being able to focus because there’s people around you, people want to talk to you, people are interested in what you’re doing. And sometimes that little like, “Oh, thank you” or “Yeah, I am drawing this” is fun, but, it’s exciting, but it’s so hard to like keep clicking back in that gear of like focusing on your drawing, because you’re not like in your studio, being able to do your own thing whenever you want. That’s, that’s one thing I’d say to definitely learn is that public, just awareness. Exercise your body, and your eye, your hand eye coordination, to think big, because when you’re up close, you spend 10 hours working on something super up close, and then you like stand back, it’ll look completely different. So sometimes you have to shift things up close on purpose, though, stand back, it looks different. So those are probably the three things that I would recommend for someone who’s wanting to go into mural paintings, and that’s just kind of the physical of it. And then business is a whole other ballgame. Yeah.
Haley Hansen: Are there any organizations or programs or events that you would recommend for people who are interested in, like locally or statewide?
Matteo Miles: There are mural festivals happening all over the country, they’re very easy to look up, there’s plenty of resources to find them. I’d say there’s about maybe well over 10 that happen every year all over the country. In my region, in South Carolina, we have our local art festivals, like Artisphere, or I think there’s one in Asheville, and then Charleston I believe, and Columbia, like Soda City. But those, they will incorporate sometimes some larger work or live performances by a mural artist or other people. So that’s for like the festival part and also going there to look at what other artists or muralists are doing. And you really learn a whole lot about that. I feel like I didn’t start doing that until maybe like last year. I was learning about Asheville’s big art, mural scene. And then also I went to Miami for the first time this year to look at Art Basel. I think Miami is a super huge mecca for murals within the United States, it’s probably one of the largest. And then there’s always, always local city of resources for RFQs, request for proposal that cities and people will post those goes for funding for grants and scholarships and opportunity for people interested in doing the mural work. Because the most common question that I get asked from artists who want to do murals is, “how do I get started? Who do I ask?” And I’ll say, “if you haven’t done one yet, if your neighbor or family member or friend hasn’t asked you to come into their home and paint their bedroom wall or something, if it’s not a rental, then that was to me, it’d be a good place to start.” And what I got started with was a great opportunity was in a hotel space. But if you don’t have the opportunity, I’d say start with residential, that includes the bedroom, kitchen, ceilings that are pretty cool, and also baby nurseries, as well, those are a great start to do. You can do them for $1,000 to $3,000 per project. That way for people to agree with, and then you could start going into like restaurants or, you know, hotels or sides of buildings, and you know what the professional people are doing. So I would say that that’s a good start. Because eventually, honestly, how it goes is once you do one or two of, you know, give it your best shot, mostly, most of the time that person’s going to share it, or people are going to see it and they’d be like, “Wow, I would really like something like that.” And it’s all word of mouth honestly, as well. It’s a very short one just because it’s very taxing on your body. So that’s another challenge that I faced was like, I’m 28. So I think I could probably do murals for another, hopefully 10 years is the goal. And then hopefully more after that if I’m still good at that checkpoint. But yeah, that’s another thing too is what makes it a little bit more challenging. Do you have any more questions?
Haley Hansen: Do you have any final advice for current students who are interested in pursuing a career in the creative world?
Matteo Miles: I’d say, stay in school as long as you can. Because there, most of the time there will be a section in, if you’re doing specifically Visual Arts on outdoor art, sculpture, or murals. And I remember vividly, when we got to that part of the course or the curriculum, I was like, “I don’t need to learn.” I was like, “I’m never going to be doing that.” I go “that sounds too complicated.” I go “I don’t want to do that.” But, and then I didn’t really listen, and, but that’s what I would say to people or to students. It’s to just pay attention to maybe that portion, just since we’re getting a little bit more education and actual muralists out there now that are younger and kind of starting that generation. So I would say to if you’re, if they’re interested in it, it does pay off. Just pay attention in school to that part. And then yeah, and just try your best to connect to other muralists online to because I’ve met, I’ve met a lot that really do, they do like to work with each other. And I’ve met a few that rather would not work with other artists. I think, I don’t know why that works, I just think artists are just like that. But there are a lot of resources and helpful tips that people could share with each other. Yeah.
Haley Hansen: Awesome.
Matteo Miles: Good stuff. Awesome. Well, thank you Haley.